["itemContainer",{"xmlns:xsi":"http://www.w3.org/2001/XMLSchema-instance","xsi:schemaLocation":"http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd","uri":"http://repositorio.historiarecienteenlaeducacion.com/items/browse?collection=33&output=omeka-json&page=5","accessDate":"2026-06-29T06:18:47+00:00"},["miscellaneousContainer",["pagination",["pageNumber","5"],["perPage","10"],["totalResults","67"]]],["item",{"itemId":"3757","public":"1","featured":"0"},["collection",{"collectionId":"33"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"25283"},["text","El baile de los que sobran"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"25284"},["text","1986"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"25286"},["text","Los prisioneros"]],["elementText",{"elementTextId":"25287"},["text","Presenta una fuerte crítica social por parte de su compositor principal, Jorge González, que el mismo define como un\\\"canto a los jóvenes marginados tras salir de la educación formal\\\",2 y que se ha transformado en una de las canciones másimportantes de la historia de la música popular chilena."]],["elementText",{"elementTextId":"25288"},["text","Considerado por muchos como \\\"uno de los grandes clásicos de la música popular chilena\\\", esta canción (escrita ycompuesta por Jorge González), trata el tema de la desigualdad social, en cuanto la educación como agente de discriminación.El baile de los que sobran representa a todos aquellos jóvenes de corta edad y clase social baja y media que, egresadosde sus respectivos colegios, descubren que sus posibilidades laborales o de una educación superior (universidades) soncompletamente limitadas. La razón principal va vinculada a que los colegios de escasos recursos o para jóvenes de clase mediatienen una serie de falencias, tanto estructurales como operacionales que les impiden otorgar una educación de calidad acordecon los desafíos del país, en comparación con las instituciones privadas de educación. Esto los aleja dramáticamente de un futuroen la educación superior o de una preparación adecuada para insertarse en el mundo laboral.Aún peor, los mismos profesores y educadores han siempre afirmado un futuro para los jóvenes, siendo que al finalterminarán como dice la canción \\\".....con laureles y futuros, y dejando a mis amigos pateando piedras....\\\".El baile de los que sobran representa toda aquella juventud que, egresada del colegio, se encuentra con una vida vacía,sin trabajo, sin esperanza (\\\"Es otra noche más de caminar, es otro fin de mes sin novedad\\\"), y que lo único que puede hacer es\\\"patear piedras\\\", es decir, no hacer nada."]]]]]]],["tagContainer",["tag",{"tagId":"71"},["name","Educación"]],["tag",{"tagId":"139"},["name","Juventud"]]]],["item",{"itemId":"3756","public":"1","featured":"0"},["collection",{"collectionId":"33"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"18997"},["text","Música"]]]]]]]],["itemType",{"itemTypeId":"5"},["name","Música"],["description"],["elementContainer",["element",{"elementId":"62"},["name","Duración"],["description"],["elementTextContainer",["elementText",{"elementTextId":"25273"},["text","4 min. 22 s."]]]],["element",{"elementId":"53"},["name","Enlace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"25276"},["text","http://www.youtube.com/watch?v=oED3w_1CZyQ"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"25271"},["text","Latinoamérica es un pueblo al sur de Estados Unido"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"25272"},["text","1984"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"25274"},["text","Los prisioneros"]],["elementText",{"elementTextId":"25275"},["text","Crítica sobre la relación entre los Estados Unidos con Latinoamérica, tema que sigue siendo contingente en la actualidad.Sin embargo, González afirmó que escribió la canción sin tener idea de lo que decía. La escribió en la universidad y se la mostróa Fonseca, sin saber que sería su futuro mánager. Se inspiró en Florcita Motuda: esta canción, como las de Motuda, era muylarga y tenía muchas palabras. También se inspiró en la canción «La buena suerte» del grupo venezolano Las Cuatro Monedas yen UB40."]]]]]]],["tagContainer",["tag",{"tagId":"139"},["name","Juventud"]],["tag",{"tagId":"38"},["name","Sociedad"]]]],["item",{"itemId":"3754","public":"1","featured":"0"},["collection",{"collectionId":"33"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"25249"},["text","A usted señor me dirijo"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"25250"},["text","1978"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"25252"},["text","Quilapayún"]],["elementText",{"elementTextId":"25253"},["text","Critica a Pinochet"]],["elementText",{"elementTextId":"25254"},["text","Con letra de Eduardo Yáñez, se llama torturador a Pinochet, y que tiene las manos manchadas de sangre, que es untraidor y defensor de los industriales"]]]]]]],["tagContainer",["tag",{"tagId":"516"},["name","Dictadura militar"]]]],["item",{"itemId":"3751","public":"1","featured":"0"},["collection",{"collectionId":"33"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Los golpes represivos sufridos por cada uno de estos Partidos Populares, se reflejan en la canción, personalizando estesufrimiento en la desaparición de Víctor Díaz del Partido Comunista de Chile, Exequiel Ponce del Partido Socialista y Bautista VanSchouwen."]]]]]]],["tagContainer",["tag",{"tagId":"669"},["name","Desaparecidos"]],["tag",{"tagId":"516"},["name","Dictadura militar"]]]],["item",{"itemId":"3750","public":"1","featured":"0"},["collection",{"collectionId":"33"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Fueron una de las principales voces del exilio y esta canción uno de loslemas de cualquier revolución, huelga y protesta, incluida la última en la Puerta del Sol de Madrid.El título de la canción está inspirado en la frase del líder populista colombiano Jorge Eliécer Gaitán pronunciadas en undiscurso en la década del '40También ha sido interpretada también por Banda Bassotti o Inti-IIlimani"]]]]]]],["tagContainer",["tag",{"tagId":"516"},["name","Dictadura militar"]],["tag",{"tagId":"894"},["name","Gobierno de Salvador Allende"]]]],["item",{"itemId":"3748","public":"1","featured":"0"},["collection",{"collectionId":"33"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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