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Un preso, Agustín Rueda, fue apaleado y muerto a manos de funcionarios. sucedió hace ahora 31 años y desvela uno de los lados más oscuros de la Transición. Sucedió en la cárcel de Carabanchel. Un preso, Agustín Rueda, fue apaleado y muerto a manos de funcionarios."]]]]]]],["tagContainer",["tag",{"tagId":"37"},["name","Anarquismo"]],["tag",{"tagId":"198"},["name","Política penitenciaria"]],["tag",{"tagId":"648"},["name","Torturas"]]]],["item",{"itemId":"2603","public":"1","featured":"0"},["collection",{"collectionId":"18"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Asistieron representaciones de todas las regiones, así como del exilio. El acto había sido convocado por el Comité de Cataluña de la CNT como una muestra más de la necesidad de vincularse al pueblo trabajador catalán a través de actos libres y abiertos. A su vez sirvió para reunir en una misma tribuna a los diversos sectores del exilio representados por Federica Montseny y por José Peirats, al secretario de la CNT del Estado español, Juan Gómez Casas, al secretario de la CNT catalana, Enrique Marcos, y a otros oradores como Antoni Morales y Fernando Piernavieja, en representación éste de la CNT andaluza. Las ideas-fuerza sobre las que se basó el mitin eran una mezcla de las diversas sensibilidades que recorrían la CNT en aquellos momentos. 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Se reclamaba y se reivindicaba el patrimonio de Solidaridad Obrera que, hasta la fecha, no ha sido devuelto ; asimismo se editó un suplemento con el inventario de todas las rotativas y maquinaria y demás enseres que tenía el diario hasta enero de 1939."]]]]]]],["tagContainer",["tag",{"tagId":"37"},["name","Anarquismo"]],["tag",{"tagId":"224"},["name","CNT"]]]],["item",{"itemId":"2537","public":"1","featured":"0"},["collection",{"collectionId":"18"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"14809"},["text","Reportajes"]]]]]]]],["itemType",{"itemTypeId":"29"},["name","Reportaje"],["description"],["elementContainer",["element",{"elementId":"62"},["name","Duración"],["description"],["elementTextContainer",["elementText",{"elementTextId":"16368"},["text","3 min. 4 s."]]]],["element",{"elementId":"56"},["name","País"],["description"],["elementTextContainer",["elementText",{"elementTextId":"16369"},["text","España"]]]],["element",{"elementId":"14"},["name","Director"],["description","Name (or names) of the person who produced the video"],["elementTextContainer",["elementText",{"elementTextId":"16370"},["text","Isabel Terán Terán"]]]],["element",{"elementId":"53"},["name","Enlace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"16373"},["text","http://www.rtve.es/alacarta/videos/te-acuerdas/acuerdas-contracultura-\n70/1189019/#aHR0cDovL3d3dy5ydHZlLmVzL2FsYWNhcnRhL2ludGVybm8vY29udGVudHRhYmxlLnNodG1sP3BicT0zJm1vZGw9VE\n9DJmxvY2FsZT1lcyZwYWdlU2l6ZT0xNSZjdHg9MTcyMCZhZHZTZWFyY2hPcGVuPWZhbHNl\n"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"16366"},["text","¿Te acuerdas? - La contracultura de los 70\n"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"16367"},["text","1970 /2011"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"16371"},["text","Reportaje\n"]],["elementText",{"elementTextId":"16372"},["text","La década de los 70 en España, entre el fin de la dictadura y el inicio de la transición democrática, fue un tiempo de\nrevolución creativa. Surgió un nuevo cine, grupos de teatro independiente como Tábano y varias revistas como Ajoblanco y Star\ndonde los jóvenes mostraron sus ganas de cambio. Un movimiento al que se llamó contracultura o underground. Luego llegaría el\ndesencanto y la movida madrileña de los 80\n"]]]]]]],["tagContainer",["tag",{"tagId":"717"},["name","Ajoblanco"]],["tag",{"tagId":"37"},["name","Anarquismo"]],["tag",{"tagId":"112"},["name","Censura"]],["tag",{"tagId":"111"},["name","Cómic"]],["tag",{"tagId":"259"},["name","Contracultura"]],["tag",{"tagId":"52"},["name","Cultura"]],["tag",{"tagId":"218"},["name","Desencanto"]],["tag",{"tagId":"715"},["name","Els Joglars"]],["tag",{"tagId":"139"},["name","Juventud"]],["tag",{"tagId":"137"},["name","Movida madrileña"]],["tag",{"tagId":"10"},["name","Prensa"]],["tag",{"tagId":"38"},["name","Sociedad"]],["tag",{"tagId":"718"},["name","Star"]],["tag",{"tagId":"716"},["name","Tábano"]],["tag",{"tagId":"51"},["name","Teatro"]]]]]