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Pero fue la canción el arma elegida entre 1986 y 1991, cuando los estonios intentaron liberarse de décadas de ocupación soviética. Durante esos años, cientos de miles de personas se reunieron en público para cantar canciones patrióticas prohibidas, iniciando el camino a la independencia. \"Los jóvenes, sin ningún partido político, y sin los políticos, nos juntamos... no sólo decenas de miles, sino a cientos de miles... a recordar y a cantar, y a darle a esta nación un nuevo espíritu\", comenta Mart Laar, uno de los líderes de la revolución cantada que aparecen en la película y que fue Primer Ministro postsoviético de Estonia. \"La Revolución Cantada\" narra la conmovedora historia de cómo el pueblo estonio recuperó su libertad pacíficamente, ayudando a derrocar el Imperio Soviético. 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Todos ellos invadieron Afganistán y crearon una visión del país que es al mismo tiempo sólida pero también corrupta y no ajustada a la realidad, y que todavía es la que resulta válida entre políticos y ciudadanos a lo largo y ancho del globo. Intentando desentrañar las complejas relaciones entre Afganistán y Occidente, el periodista de la BBC Adam Curtis va más allá creando una épica fascinante sobre nuestra incapacidad de comprender la propia Historia (FILMAFFINITY)"]]]]]]],["tagContainer",["tag",{"tagId":"1431"},["name","Afganistán"]],["tag",{"tagId":"200"},["name","EEUU"]],["tag",{"tagId":"1404"},["name","Guerra"]],["tag",{"tagId":"885"},["name","Reino Unido"]],["tag",{"tagId":"1407"},["name","Rusia"]]]],["item",{"itemId":"4663","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"740"},["src","https://repositorio.historiarecienteenlaeducacion.com/files/original/158023087424f3ac932ab1a645147604.jpg"],["authentication","0da2a1225768a3c90c1a8d6592b43eba"]]],["collection",{"collectionId":"98"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Sátira"]]]],["element",{"elementId":"62"},["name","Duración"],["description"],["elementTextContainer",["elementText",{"elementTextId":"31318"},["text","165 minutos."]]]],["element",{"elementId":"56"},["name","País"],["description"],["elementTextContainer",["elementText",{"elementTextId":"31319"},["text","Francia - Alemania - Hungría"]]]],["element",{"elementId":"53"},["name","Enlace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"31320"},["text","<a href=\"https://www.filmaffinity.com/es/film647417.html\" target=\"_blank\">https://www.filmaffinity.com/es/film647417.html</a>"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Marko y Petar, delincuentes y amigos, luchan contra los alemanes. Petar resulta herido y, para salvarse, se refugia en un sótano junto a un grupo de partisanos. Por otro lado, Marko se convierte en un héroe y, terminada la guerra, se convierte en uno de los favoritos de Tito de la Yugoslavia comunista. Pero el destino de Petar ha resultado muy distinto...\r\n(FILMAFFINITY)"]],["elementText",{"elementTextId":"31321"},["text","Peculiar interpretación del conflicto yugoslavo a través de la historia de un grupo de personas encerradas en un sótano desde 1941, en la creencia de que la guerra contra los nazis continúa, mientras el régimen de Tito domina el país."]]]]]]],["tagContainer",["tag",{"tagId":"302"},["name","Guerra civil"]],["tag",{"tagId":"1473"},["name","Yugoslavia"]]]],["item",{"itemId":"4662","public":"1","featured":"0"},["fileContainer",["file",{"fileId":"739"},["src","https://repositorio.historiarecienteenlaeducacion.com/files/original/6e655f143ecccf2e325874e6a9c2287d.jpg"],["authentication","e0fd546aa761d314dc01548fec11bc13"]]],["collection",{"collectionId":"98"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Con maestría se trazan las condiciones infrahumanas en que el escritor debe sobrevivir. Una fotografía oscura y claustrofóbica muestra cómo el protagonista trata de cultivar su espíritu en situación tan extrema, llegando a escribir en las paredes con sus uñas al no disponer de otro material. Por otra parte está la lucha del escritor por no ceder a las presiones de las autoridades comunistas, que saben que su prisionero es un símbolo de la disidencia, y que tratan de conseguir su colaboración a través de los medios más deshonestos. Al final se verá abocado a una situación ambigua: no se trata de hablar, de delatar a sus antiguos compañeros, sino de desmentir o confirmar lo que la policía averigüe. La oportunidad de volver a escribir, de reencontrar a su mujer, de recomponer su vida en definitiva, es demasiado tentadora. 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Cuando estalla la contienda, son muchos los corresponsales de guerra que acuden al lugar del conflicto. Pero también estalla la lucha entre los medios de comunicación, que no dudan en explotar el dolor ajeno con tal de subir la audiencia. Laura, una joven periodista de éxito, se instala en Sarajevo durante el asedio al que se vio sometida la ciudad. Allí conoce a Mikel, un experto reportero de firmes principios, y a José, su cámara. El contacto con las víctimas, los encuentros con periodistas de otros países, las disputas con Mikel y José, que desaprueban el enfoque oportunista que ella da a la información, llevan a Laura a reflexionar seriamente sobre su trabajo. Mientras tanto, con colegas de todas las nacionalidades y con la intérprete croata Jadranka, Laura recorre cada día la zona más peligrosa de Sarajevo: lo que ellos llaman \"territorio comanche\". 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Justo unas semanas después de que se construyera el muro de Berlín, un grupo de estudiantes trata de escapar al lado occidental, entre ellos Sophie y Konrad. Pero en su huída Konrad se queda atrás en medio de la ciudad mientras Sophie alcanza el oeste. Durante los siguientes 28 años sólo se volverán a ver en cuatro ocasiones. Pero, cuando durante la noche del 9 al 10 de noviembre de 1989 el muro de Berlín es derribado, renace la libertad. 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