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De la nueva ola a la movida\n"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2262"},["text","2004"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"2263"},["text","Héctor Fouce\n"]]]],["element",{"elementId":"48"},["name","Source"],["description","A related resource from which the described resource is derived"],["elementTextContainer",["elementText",{"elementTextId":"2264"},["text","Revista de Estudios de Juventud, Nº. 64, 2004 (Ejemplar dedicado a: De las Tribus Urbanas a las\nCulturas Juveniles) , págs. 57-65\n"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2265"},["text","Son muchos los fenómenos que tienen lugar en la España de la Transición y que constituyen el fermento en el que nace\nla Nueva Ola madrileña, que luego sería la movida. Son los años en los que comienza a construir la democracia, los años en los que\nestalla el punk en Inglaterra, en los que la industria musical sufre una profunda crisis que le impulsa a buscar nuevos soportes,\ncomo el videoclip y el disco compacto, el momento en que el panorama de los medios de comunicación españoles cambia\nprofundamente y empieza a parecerse bastante al que tenemos en la actualidad. El punk español es diferente británico, en buena\nmedida porque sus circunstancias históricas y sociales son notablemente divergentes. Incluso dentro del punk español existen\ndiferencias de aproximación, entre los que entienden el punk en tanto protesta social y los que simplemente valoran la libertad y\nla modernidad que implica. 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Todo, por primera vez, desde el punto de vista de alguien que no vivió dicho\n\"movimiento\" cultural. Héctor Fouce está doctorado en la Facultad de Ciencias de la Información por la Universidad Complutense\nde Madrid. Actualmente es profesor de Música para los medios audiovisuales en el Conservatorio Superior de Música de Zaragoza\ny profesor de Semiótica en el Instituto Europeo de Design (Madrid), así como crítico musical en diversas publicaciones. El libro\nincluye un prólogo del periodista Mario Vaquerizo, un epílogo de Edi Clavo -quien fue batería de Gabinete Caligari-, y fotografías,\nla mayoría de ellas inéditadas, de los conciertos de los grupos más destacados, \"backstage\" y público realizadas por el más\nrepresentativo fotógrafo de La Movida en directo, Miguel Trillo.\n"]]]]]]],["tagContainer",["tag",{"tagId":"52"},["name","Cultura"]],["tag",{"tagId":"139"},["name","Juventud"]],["tag",{"tagId":"119"},["name","Movida"]],["tag",{"tagId":"120"},["name","Música"]],["tag",{"tagId":"7"},["name","Transición"]]]],["item",{"itemId":"4114","public":"1","featured":"0"},["collection",{"collectionId":"52"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Para esto trazamos el recorrido real e imaginario de Carlos Stuart Pedrell y Pepe Carvalho dentro de un marco espacial determinado por el propio escritor, es decir Barcelona, y durante un periodo espec&iacute;fico, la transici&oacute;n democr&aacute;tica, todo ello encaminado a mostrar lo que para un gran n&uacute;mero de cr&iacute;ticos literarios simboliza la narrativa de Manuel V&aacute;zquez Montalb&aacute;n: la cr&oacute;nica del desencanto."]]]]]]],["tagContainer",["tag",{"tagId":"218"},["name","Desencanto"]],["tag",{"tagId":"69"},["name","Literatura"]],["tag",{"tagId":"7"},["name","Transición"]]]],["item",{"itemId":"276","public":"1","featured":"0"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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