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Resistencia estética y militancia política en el cine español (1967-1981)\n"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"10578"},["text","2011"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"10580"},["text","Roberto Arnau Roselló\n"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"10582"},["text","Análisis de algunas tendencias del cine español en la historia reciente que han puesto de manifiesto una actitud de\nbeligerancia política y estética, en concreto las desarrolladas al final de la dictadura franquista en la década de 1970\n"]],["elementText",{"elementTextId":"10583"},["text","Nuestro punto de vista de partida se basa en el análisis de algunas tendencias del cine español en la historia reciente\nque han puesto de manifiesto una actitud de beligerancia política y estética, en concreto las desarrolladas al final de la dictadura\nfranquista en la década de 1970. Nos interesa de estas estéticas el hecho de que no son homogéneas, ni estáticas, que están en\nconstante evolución y cambian según su procedencia. Sus autores son creadores cinematográficos que frecuentan e incluso\nparticipan de otras actividades artísticas y movimientos culturales o políticos, lo cual inserta su práctica en un contexto sociocultural\nmás amplio en el que interaccionan con otras prácticas artísticas. Implementan estrategias de representación diversas que\nse sitúan en planos discursivos muchas veces contrapuestos. Suponen, pues, una particular investigación de las potencialidades\nexpresivas, políticas, poéticas, sociales y psicológicas del dispositivo cinematográfico. El contexto de marginalidad en el que se\ngestan algunas de las prácticas que nos proponemos investigar supone un elemento de relevancia sustancial. La trasgresión formal\nde algunos autores que operan en el terreno de la industria nos impulsa a buscar a aquellos cineastas que han llevado su\nresistencia al límite de la institución cinematográfica hasta situarse voluntariamente fuera de ella para crear un espacio propio de\nreflexión y estímulo, tanto estético como político, tanto artístico como social.\n"]]]]]]],["tagContainer",["tag",{"tagId":"212"},["name","Arte"]],["tag",{"tagId":"36"},["name","Cine"]],["tag",{"tagId":"179"},["name","Documental"]]]],["item",{"itemId":"1781","public":"1","featured":"0"},["collection",{"collectionId":"3"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Un capitán del ejército en la Transición y el Golpe de Estado del 23-F\n"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"10604"},["text","2011"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"10606"},["text","Gabriel Cardona\n"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"10608"},["text","Memorias del historiador y militar de UMD Gabriel Cardona\n"]],["elementText",{"elementTextId":"10609"},["text","Relato de un miembro de la clandestina Unión Militar Democrática (UMD) que vivió desde las salas de banderas de los\ncuarteles militares españoles el golpe de Estado del 23F de 1981. La obra da también testimonio de la transición en el Ejército, una\ninstitución entrenada y educada para garantizar la supervivencia del franquismo aun sin Franco.\n"]]]]]]],["tagContainer",["tag",{"tagId":"20"},["name","23-F"]],["tag",{"tagId":"19"},["name","Ejército"]],["tag",{"tagId":"5"},["name","Franquismo"]],["tag",{"tagId":"154"},["name","Memorias"]],["tag",{"tagId":"7"},["name","Transición"]],["tag",{"tagId":"104"},["name","UMD"]]]],["item",{"itemId":"1784","public":"1","featured":"0"},["collection",{"collectionId":"3"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Su propósito primero es el de reivindicar la obra de Goñi,\nabsolutamente original y polifacética, pero el resultado no podía ser más apasionante: un viaje al pasado cercano en donde los\nprotagonistas de la vida pública, conocidos de todos, pululan alrededor del decreto, del Parlamento, del Gobierno o de los grupos\nde poder fácticos.\nCual si fueran polillas, Lorenzo los cazaba y hacía su particulat disección poniendo en evidencia las vergüenzas de los\nprotagonistas.\nDemasiados decenios sin poder publicar su crítica al poder, excesiva mordaza para Lorenzo y tanta gente que\nnecesitaba libertad para expresar sus anhelos. ¡Tanta ansia embalsada reventó en el otoño del 75!...\" Santiago Catalá Rubio\n(Editor).\n"]]]]]]],["tagContainer",["tag",{"tagId":"10"},["name","Prensa"]],["tag",{"tagId":"7"},["name","Transición"]]]],["item",{"itemId":"1785","public":"1","featured":"0"},["collection",{"collectionId":"3"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Un relato personal, documentos de trabajo\n"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"10620"},["text","2011"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"10622"},["text","William Chislett\n"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"10624"},["text"," La prensa extranjera durante la transición española\n"]]]]]]],["tagContainer",["tag",{"tagId":"10"},["name","Prensa"]],["tag",{"tagId":"70"},["name","Relaciones internacionales"]],["tag",{"tagId":"7"},["name","Transición"]]]],["item",{"itemId":"1786","public":"1","featured":"0"},["collection",{"collectionId":"3"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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El exilio y la Transición a través de los archivos de uno de los políticos mejor informados de su tiempo\n"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"10627"},["text","2011"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"10629"},["text","Jesús Conte\n"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"10631"},["text","El exilio y la Transición a través de los archivos de Tarradellas\n"]],["elementText",{"elementTextId":"10632"},["text","El presidente de la Generalitat JosepTarradellas (1899-1988) reunió en vida dos millones de páginas de cartas y\ndocumentos de la República, de la guerra civil, del franquismo y de la transición democrática. Tarradellas escribía cartas a diario -\ncasi cien mil enviadas y/o contestadas en menos de cuarenta años-, recibía personajes de todo signo -llegó a registrar seiscientas\nvisitas en siete meses- y viajaba por Europa y América para estar informado de la realidad de España. Además, una nutrida y\nselecta red de confidentes y colaboradores le informaba de cuanto se cocía en el régimen franquista.\n"]]]]]]],["tagContainer",["tag",{"tagId":"5"},["name","Franquismo"]],["tag",{"tagId":"493"},["name","Nacionalismo catalán"]],["tag",{"tagId":"7"},["name","Transición"]]]],["item",{"itemId":"1787","public":"1","featured":"0"},["collection",{"collectionId":"3"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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