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En\nocasiones, algunos procesos de cambio han sido retardados por el ejército, mientras que en otras han sido acelerados. A principios del S.XIX el ejército presionó a favor de cambios progresistas, tendiendo hacia cambios más conservadores a finales de dicho siglo.\nA lo largo del siglo veinte, la ideología militar existente ha utilizado al terrorismo como pretexto para suplantar del poder al\ngobierno civil y restaurar el orden interno a través de la intervención militar, contemplado no solo como un derecho sino como un\ndeber absoluto. Así, el ejército ha sido concebido como el depositario de los valores nacionales permanentes fruto de su\nnaturaleza suprapolítica. Se destaca, en última instancia, que golpistas y terroristas, de cualquier tendencia ideológica, tienen\ncomo objetivo final la destrucción de la democracia\n\n"]]]]]]],["tagContainer",["tag",{"tagId":"19"},["name","Ejército"]],["tag",{"tagId":"9"},["name","Terrorismo"]],["tag",{"tagId":"7"},["name","Transición"]]]],["item",{"itemId":"2416","public":"1","featured":"0"},["collection",{"collectionId":"15"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Como su esposa est&aacute; a punto de dar a luz, decide escapar con ella, pero sufre una encerrona y le queman el cami&oacute;n con Elisa dentro, la cual fallece a consecuencia de las quemaduras. En el juicio contra los culpables, declara el mafioso Julot, quien controla a los agricultores franceses. El testimonio de Julot deja en libertad a los criminales. Es cuando Chema decide vengarse utilizando su arma predilecta, la Goma-2."]],["elementText",{"elementTextId":"15159"},["text","Valor did&aacute;ctico Medio. Es &uacute;til para conocer el conflicto entre Espa&ntilde;a y Francia, pero el que sea tratado m&aacute;s bien como un film de acci&oacute;n limita sus posibilidades, did&aacute;cticas, pues muestra a los franceses como unos desalmados. Puede servir como punto de partida para discutir sobre las problem&aacute;ticas del libre comercio, la globalizaci&oacute;n y la competencia."]],["elementText",{"elementTextId":"15160"},["text","Entretenida y curiosa pel&iacute;cula de venganzas, en base al atractivo que supone el situar a un terrorista de Eta antiguo especialista en explosivos, reinsertado y reconvertido en honrado camionero, felizmente casado y esperando un ni&ntilde;o, en el punto de mira de sus antiguos compa&ntilde;eros (intentan asesinarle sin &eacute;xito desde una moto) que no quedaron muy contentos con su reconversi&oacute;n y en el de los agricultores franceses que act&uacute;an al dictado de un abogado mafioso (Lee Van Cleef) que atacaban a los camiones espa&ntilde;oles por el conocido conflicto sobre el tema de la fruta, en pleno apogeo por la &eacute;poca que nos retrata la pel&iacute;cula, los cuales en un ataque queman su cami&oacute;n. No se dice de forma expl&iacute;cita que sea ETA, pero se la designa como la Organizaci&oacute;n y vemos carteles en vasco. El protagonista tiene flashbacks sobre las torturas a que le somet&iacute;a la polic&iacute;a en su etapa terrorista. Los ataques de agricultores franceses &ndash; que se quejaban de competencia desleal por bajos precios de los productos espa&ntilde;oles- a camiones espa&ntilde;oles que llevaban fruta a Europa fueron una constante hasta inicios de los 90, con alg&uacute;n episodio aislado actual. Fue un tema que agri&oacute; las relaciones entre Espa&ntilde;a y Francia junto al Par&oacute;n Giscard y el que Francia fuera santuario de ETA hasta fines de los 80. En la pel&iacute;cula vemos a un juez afable con el abogado mafioso y a una polic&iacute;a francesa que no interviene contra los ataques a camiones."]]]]]]],["tagContainer",["tag",{"tagId":"29"},["name","Amnistía"]],["tag",{"tagId":"39"},["name","Economía"]],["tag",{"tagId":"180"},["name","ETA"]],["tag",{"tagId":"647"},["name","Relaciones España/Francia"]],["tag",{"tagId":"648"},["name","Torturas"]],["tag",{"tagId":"7"},["name","Transición"]]]],["item",{"itemId":"4508","public":"1","featured":"0"},["fileContainer",["file",{"fileId":"560"},["src","https://repositorio.historiarecienteenlaeducacion.com/files/original/81d1cec6e16ca4e83927e0f179936e4c.jpg"],["authentication","1af710f359a678191ff40dd7edf44bf8"]]],["collection",{"collectionId":"98"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Unos días antes de la caída del Muro, la madre de Alex, una mujer orgullosa de sus ideas comunistas, entra en coma. Cuando despierta ocho meses después, su hijo hará lo posible y lo imposible para que no se entere de que está viviendo en una Alemania reunificada y capitalista. Su objetivo es convertir el apartamento familiar en una isla anclada en el pasado, una especie de museo del socialismo en el que su madre viva cómodamente creyendo que nada ha cambiado. 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